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The Museum of Art is a high-rise building located along Peachtree Street NE at Atlanta, Georgia, in the commercial and artistic district of downtown. Named after one Harriet High, one of its many major benefactors, this characteristically white building's original structure was design and built by the renowned architect, Richard Meier back in the 1980s. However, in the year 2003, several major reforms were undertaken on the building, which included an additional three new buildings all designed by another big name in the architectural field, Renzo Piano. A major focus of the High Museum of Art is a square parquizada that surrounds the initial building. The construction of the three buildings by Piano has accorded the entire building a U-shaped form that offers a structure for the public plaza that faces the entire building.
First, the High Museum of Art is constructed with white porcelain tile, while predominantly white interior as a total of four-floors of galleries and exhibits that have been strung together by a semicircular pedestrian ramps that surrounds a sun-filled four-storey atrium. One of the four quadrants of the four floor building has been carved out to bring out the huge and orienting atrium space whose circulation ramps pay seem to pay homage to the spinning Guggenheim. The main reason that might be assumed to have necessitated the use of white porcelain tile in this building is its architect's preference. Even the natural lighting which has been described as a unique feature in this building has been attributed to Piano's expertise and liking for using light in meeting end. The structure of this building comprise of frame, concrete slabs, and steel column. The granite plinth is the equivalent of the ramps' horizontal datum, or the anchor for steel panels that clad the various galleries below. This final building houses a museum shop, an auditorium, café, ground level court, staff support spaces, members lounge, and various display space.
My Building and formal logic
The High Museum of Art as mentioned earlier is one of the most fabulous architectural pieces. This place gives people a wonderful venue for photography. The design of the museum confuses people at times based on the fact that there are three distinct buildings which are attached in the 'skyway' level. There are elevators in every building as well as stairwells but these can be hard to locate at times except for the original 'Stent-wing'. The restrooms are not as much exposed and they are somehow hidden and not open to the general public. The design of the building has been developed in a way that it can be able to handle an increased number of visitors who wants to move to the sky deck as well as the different workers who work within the building. The building can handle so many people and the exhibition rooms are strategically designed to allow easy movement of people within the building. There are collidors and good pave ways to ensure that the movement of people around is easily facilitated to serve its intended purpose.
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Through the construction of High Museum of Art the city center of Atlanta got a major boast in terms of developments. Today it has grown into a thriving city courtesy of the High Museum of Art. There are a number of buildings that are in the immediate surrounds of the High Museum of Art in Atlanta, most of which are also impressive but not as impressive as the High Museum of Art. It is in this regard that this particular building makes the rest of the surrounding building looks less impressive. The white porcelain tile which has been used to build this building is particularly attractive and noticeable which is not the case with almost all the other surrounding building. A good example of these less attractive buildings can be found in Lobby At Twelve and other buildings housing the likes of Red Light Café, Smith's Olde Bar, Park Tavern, and Justin Restaurant & Bar among others.
Ornamentation and/or Furnishings
The structure of the Museum is a steel column that has been filled with some slabs from concrete. Inside the museum, there are more than eleven thousand pieces of artwork both collected in the 19th and 20th centuries including American collection, European art, African-American art, decorative art, contemporary art and photography. The high places are dedicated in collecting and laying support on the self-taught artists from the South which features a contextual installation of sculpture and paintings. Acting as a horizontal datum is a plinth made of granite and in elevation it acts as the main anchor for the white steel panels that are made of a combination of porcelain and enamel there by decorating the galleries that are below.
The museum is a centre of aesthetic illumination as well as progressive cultural values and the light that filters from above through skylights, clerestory strips, ribbon glazing, minimal perforations, and the panel wall. Some of the special features inside the museum; specially designed spaces for permanent collection and other exhibition galleries, terraces and piazza meant for the accommodation of outdoor sculpture and other fittings inside the museum. In genera the interior breakdown is composed of some temporal as well as permanent exhibition galleries, education areas, facilities for conservation, and other incorporated features.
The furnishings of the entire building depend on the purpose of the different rooms in the building. However, the furnishings help in ensuring that the visitors to the museum are satisfied with the encounter and the experiences they have at the museum.
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