Sales: Sales: Support: Support:
Academic writing services  
Custom written essay Book report Research paper Dissertation Resume and CV Editing and proofreading  
main menu
By ordering custom paper you get
  • 24/7 Support
  • Over 100 professional US Writers
  • 300 words per page
  • Flexible discount system
  • FREE revision (within 2 days)
  • Anti-Plagiarism Software Check
we accept
sample essays
Accounting Essays
Admission Essays
Analysis Essays
Art Essays
Biography Essays
Biology Essays
Book Review Essays
Business Essays
Case Studies Essays
Cause and Effect Essays
Character Analysis Essays
Communication Essays
Communication and Media Essays
Compute Technologies Essays
Consideration Essays
Controversial Essays
Description Essays
Economics Essays
Education Essays
Evaluation Essays
Explanation Essays
History Essays
Job Essays
Law Essays
Management Essays
Medicine Essays
Music Essays
Personal Essays
Personal Experience Essays
Persuasive Essays
Persuasive Speech Essays
Philosophy Essays
Political science Essays
Politics Essays
Proposal Essays
Psychology Essays
Reflective Essays
Religion Essays
Research Essays
Response Essays
School Essays
Science Essays
Sociology Essays
Technology Essays
World Literature Essays
Brandenburg Concerto No. 5 essay
← BeethovenCommedia Dell’Arte →

Brandenburg Concerto No. 5. Custom Brandenburg Concerto No. 5 Essay Writing Service || Brandenburg Concerto No. 5 Essay samples, help


The Brandenburg Concertos are classical compositions of J.S. Bach during the Baroque era. Brandenburg Concerto No. 5 is famous for the use of solo violin, strings, harpsichord, and flute. In this concerto, Bach gave the harpsichord an extraordinary prominence, since its use goes beyond the ordinary supportive role to become the supportive capacity and the most unifying timbre throughout the composition. Brandenburg Concerto No. 5 is set in a distinctive fast-slow-fast musical arrangement, with the opening movement in this concerto being the longest in all the six concertos. The opening theme has three essential components, including the establishment of tonality facilitated by the D major triad; the actual continuation that uses sequences and moves away from the tonality already established; and a conclusion that has a clear and string cadence. The main purpose of this paper is to conduct an analysis of Brandenburg Concerto No. 5. The paper discusses the various aspects of the piece, such as melody, texture, sound, instrumentation, text, and musical style.

Aspects of the Piece

The key signature that defines the tonality of the piece is D Major. The musical form is A-B-A, with the A section beginning the main theme. The melody is predominantly in the first violins, with each section imitating the melody. The rhythm comprises half notes, eighth notes, quarter notes, and whole notes. In addition, the rhythm comprises quarter note rests, eighth note rests, and dotted quarter note-eighth note patterns. The harmony of this composition is mostly polyphonic because of the unification of the bass and cello with regard to the octave in many points of the composition. The musical texture is detache/marlete bowing styles, with numerous articulation techniques such as accents, hooked bow, and staccato/spicatto. Brandenburg Concerto No. 5 comprises of three musical movements.

Stepwise descending eighth notes mark the first movement (concertino); this slows down the motion except for nonstop harpsichord activity. Musical contradictions in terms of motion are a typical characteristic of the first movement, although the accelerating effect is dominant. Bach uses changes in harmonic rhythm to balance between accelerating and relaxing effect. This is an effective strategy used in the composition to facilitate the transition between various harmonic rhythms in the composition.

The second movement has affetuoso and the use of solo instruments such as flute, harpsichord and violin. The Phrygian half cadence is felt during the second movement because there is the likelihood that the chords are supposed to follow a cadenza invented by the violin or harpsichord player. The cadence was characterized by minimal ornamentation and the insertion of movements from other musical compositions. This increases the likelihood that various performers can have completely different second movement of the piece. The third movement integrates a fugue with ritornello. The fugue aspect is introduced by the solo instruments. In addition, the third movement has a unified theme throughout the movement.

Overall Evaluation of the Piece

Brandenburg Concerto No. 5 is well suited all through because it depicts the superb qualities of a fine harpsichord and explores the virtuosity and improvisation abilities of the player. This is evident in the long solo cadenza found in the first movement. It is apparent that the composer was a great harpsichord virtuoso and a great organ. The instrumentation of the piece is also superb, since it includes solo violin strings, obbligato harpsichord, and flute, which results in more virtuosic and improvised sounds. The aspect of musical contradictions also enhances the overall appealing effect of the piece since it creates a harmonic rhythm that bases on the fast-slow-fast arrangement. Despite this superb musical form and structure, the piece lacks thematic and movement unison, a key characteristic of the classical compositions of the time. Unification of movements implies that the performance appears to be one long musical movement, yet they actually comprise numerous movements. The movements in the composition are distinct and lack unity. Perhaps the recording could have embarked on a unified movement to enhance the overall musical experience of the composition.


Brandenburg Concerto No. 5 is famous for use of solo violin, strings, harpsichord, and flute. The piece is set in a distinctive fast-slow-fast musical arrangement, with the opening movement in this concerto being the longest in all the six concertos. Musical contradictions enhance the musical experiences of the piece. The instrumentation of the composition is superb because it combines solo violin strings, obbligato harpsichord, and flute, which results in more virtuosic and improvised sounds. A negative aspect of the composition is that it lacks movement unison.


Brandenburg Concerto No. 5. Custom Brandenburg Concerto No. 5 Essay Writing Service || Brandenburg Concerto No. 5 Essay samples, help

Order Now
Order nowhesitating

Related essays

  1. Commedia Dell’Arte
  2. Louis Armstrong
  3. Beethoven
  4. Antonio Vivaldi: The Four Seasons (Autumn)

order now

Order now
why choose us
96% of satisfied returning customers
24/7 customer support
A wide range of services
Up-to-date sources
100% privacy guaranteed
MA/PhD writers
Custom written papers only
Free plagiarism report (on demand)
Free revision (within 2 days)
Free cover and bibliography page
Direct communication with a writer
Are your writers qualified for the custom writing?
How quick can my order be accomplished?
Is it legal to buy custom essays, term papers or book reports from your company?
Are essays offered by your company truly custom-written?
Is it safe to buy from
How secure is the payment system of your company?
Can I submit custom essays or term papers done by your company as my own?
How can I contact your company if I've got problems with my ordered paper?

Finally, I've found the real custom writing service . My grades are saying "Thank you, it's been a pleasure to work with you."

Jamal, South Africa

I can't believe you finished my essay under such a short deadline! You saved me from a disaster once again. You guys deliver exactly what you promise. I'll be back. That's for sure!

William H , Kansas, US

contact us
Toll free for US & Canada only. International callers are charged for outgoing calls.

Our phone numbers: provides custom term paper writing/rewriting services inclusive of research material for assistance purposes only. The term papers should be used with proper reference and are not meant to replace actual assignments.

Get 15% off your first custom essay order

Order now

from $12.99/PAGE